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A
Home of One's Own
In
years past many Jews coming to Yale felt they had to"check
their Jewishness at the door." The new Joseph Slifka Center
for Jewish Life is a place for Yale's Jews both to celebrate their
heritage and to reach out beyond it.
November
1995
by Bruce Fellman
Throughout
Jewish history, the Diaspora -- the dispersal of Jews around the
world that began with their exile from Palestine in 586 B.C. --
has been a fact of civic and religious life.
But in recognition of the desire and hope that one day all of the
dispersed will be able to return to the "Promised Land,"
Jews each year offer a prayer at the traditional family meal in
celebration of Passover. It concludes: "Next year in Jerusalem."
Since Yale's first Jewish
student -- Moses Simon -- arrived in New Haven in 1805, Jews at
the University have known their own kind of Diaspora. "All
the various religious and cultural organizations were scattered
around campus," says James Ponet '68, who has served as Yale's
Jewish chaplain for the past 14 years. Indeed, on Friday nights
during the school year, there would be a Reform service in Branford
College, an Orthodox service under Harkness Tower, and a Conservative
service on High Street. Throughout the week, the Young Israel House
Kosher Kitchen served meals on Crown Street, and dozens of Jewish
organizations -- among them, an a capella singing group called Magevet,
a quarterly journal known as Urim v'Tumim, a drama club,
Garin (an environmental group), a Klezmer band, and a women's group -- met wherever space was available.
Tending such a widespread
flock, which collectively falls under the banner of Yale
Hillel (a 54-year-old organization independent of the University),
has been a taxing task for Rabbi Ponet and his colleague, Rabbi
Sharon Cohen-Anisfeld, who on some days spent as much time traversing
the campus as meeting with students. But on September 10, with the
formal dedication of the Joseph
Slifka Center for Jewish Life, the jobs of the rabbis became
a little less, well, aerobic. The opening of the Center -- at 80
Wall Street across from Silliman College -- puts an end to the local
Diaspora by bringing a disparate array of activities under one roof.
After years of wandering, Yale's Jewish community has a home of
its own.
The advent of Beit Joseph -- Hebrew for the "house of Joseph" -- is a happy outcome
few Jewish alumni might have envisioned. Alan Slifka '51E, whose
family made a major donation toward the building in the name of
his late father Joseph, a New York real estate financier, spoke
for many when he said, "When I was at Yale, you parked your
Jewishness at the door."
The reasons are painful
to recall. Jews had been relatively welcome at Yale throughout the
18th and 19th centuries, but as Dan Oren '79 records in Joining
the Club: A History of Jews and Yale, their burgeoning numbers
in the early 1900s prompted Robert Nelson Corwin, who was the admissions
board director from 1920 to 1933, to tell President James Rowland
Angell that "there seems to be no question that the University
as a whole has about all of this race that it can well handle."
In Corwin's
time, more than 13 percent of entering freshmen were Jewish. The
admissions director wanted to reduce that number to below 10 percent,
and through a variety of strategems, particularly limits on financial
aid and an increase in the number of alumni sons admitted, he and
his associates achieved their goal. To be sure, Yale was hardly
alone in such discriminatory practices. According to Oren, Harvard,
Princeton, Columbia, and Dartmouth had similar ceilings. But the
extent of the policies did nothing to ennoble them.
The "limitation
of numbers," as the thinly disguised quota system was called,
was "reprehensible," says Herbert A. Friedman '38 -- and
effective in more ways than one. For when Friedman, who became a
rabbi and is now president emeritus of the Wexner Heritage Foundation
in New York City, scanned the last names of the 750 men in his class,
he discovered that only about 3 percent of them were obviously Jewish.
"Often, we couldn't even get a minyan," he says, referring
to the traditional requirement that there be 10 men present before
a religious service could proceed.
Rabbi Friedman suspects
that there were more Jews on campus, but "they were like the
Marranos -- the 'hidden Jews' -- of 15th century Spain. We couldn't
get them out of the closet."
Ironically, however,
they had nothing to fear. "I never had the slightest problem
with anti-Semitism at Yale," says Friedman.
That remains true, notes
Chavi Karkowsky '98 who nevertheless worried that as an Orthodox
Jew, her adherence to what she calls a "high maintenance religion"
might have caused her to be ostracized from both the University,
as well as the mainstream Jewish, communities. But her professors
have willingly made accommodations for the requirements of her faith,
and her friends, Jews and non-Jews alike, don't see her as a fanatic.
"There's a rekindled interest in looking at people's roots
and in the traditions of being Jewish," Karkowsky, president
of the Slifka Center's kosher
kitchen, says.
Jews, clearly, are out
of hiding, and to show how different the landscape has become at
Yale, Rabbi Ponet points out that these days, no one even has a
precise count of the number of Jews on campus. (For admissions and
administrative purposes, they are not considered part of any monitored
minority.) Ponet estimates that somewhere between 20 and 25 percent
of the College population would consider itself, to a greater or
lesser extent, Jewish. "This is a wide-ranging group of students
whose Judaism runs the gamut from religious, political, and cultural
to culinary and social," he says. "The Slifka building
represents the confluence of all those elements, and then some."
Indeed, to judge from
the several hundred students who have been packing the Center's
Friday evening shabbat dinners and participating in other activities,
there's something of a Jewish revival on campus. "There's a
hunger for community," says Rabbi Cohen-Anisfeld. "The
highly individualistic way of life had a lot of appeal, but now,
people are realizing its limitations. There's also something larger
going on-a longing for meaning and purpose."
The rabbis
hope the Slifka Center can help meet those needs.
Designed by Harold Roth
'57MArc, a partner in the New Haven firm of Roth and Moore Architects,
the 20,000-square-foot, four-story facility is the tangible fulfillment
of the dreams of Yale's Jewish community. And certainly no other
architect has been so involved in those dreams for so long. Roth
started working on the project 31 years ago with Rabbi Richard Israel,
who headed Hillel from 1959 to 1972. "We spent a lot of time
talking about what form the building should take and whom it should
serve," recalls Roth. "Should we build a Yale synagogue,
a conference center, a social club, or even an eating club? In the
end, we decided to try to combine everything under one roof."
But the project never
got going, in large part because there was no suitable Yale ground
available for it at the time. Four years ago, however, then-President
Benno Schmidt offered Hillel a long term lease on a 68-by-82-foot
piece of real estate occupied by a dilapidated row of brick buildings
adjacent to Rosey's Tailors and Cleaners on Wall Street. Hillel
then had to raise $6 million for construction costs. (The group
is in the process of raising an additional $5 million for an endowment
fund; more than $3 million has already been pledged.) A national
fundraising campaign, for which U.S. Senator Joseph I. Lieberman
'64, '67LLB, and Sterling Professor
Emeritus of Law and Public Affairs
Eugene V. Rostow '33, '37LLB served as honorary cochairmen, quickly
found a corps of donors, many of whose names have since been carved
in the Jerusalem stone accents on the facility's walls.
With the Slifka gift
and other pledges from Yale alumni for the building's construction
in hand, the University helped speed the project along with a $1.5
million financing package. Following the dedication, Alan Slifka,
a Wall Street asset manager whose philanthropy ranges from the state
of Israel to New York City's Big Apple Circus, explained the major
reasons for his family's contribution. Contrary to his own College
experience, students are now free to celebrate their heritage, Slifka
said. "I hope the Center will provide a place where members
of the University community can develop their Jewishness with pride
and understanding. But I hope it will also offer a place from which
Jews can reach out to people in other communities, at Yale, in New
Haven, and in the wider world."
Slifka himself has provided
a model for such outreach through the creation of the Abraham
Fund, which he cofounded in 1989 for the purpose of promoting
better understanding between Jews and Arabs in Israel. The foundation
fosters peaceful coexistence by providing funds for a wide range
of projects-schools, day-care centers, summer camps, and the like-that
Israelis of every religious and ethnic background can undertake
together. "You can intellectualize all you want about human
relations and tolerance, but there's really no substitute for working
with someone from another community," says Slifka.
Harold
Roth says that in planning the center, he
sought to create a place that would simultaneously allow for inward-looking
religious contemplation and study, while nudging the building's
inhabitants to take part in the wider world. "It had to be
welcoming and comfortable for all persuasions of the Jewish faith,"
says the architect. But given the reality that Reform, Conservative,
Orthodox, Reconstructionist, and Chasidic Jews don't always get
along, bringing everyone under one roof was not without its perils.
"We're going to
learn mutual tolerance and respect," insists Marci Sternheim,
Hillel's executive director, emphasizing that the infighting between
the various varieties of Judaism tends to be a "bigger deal"
in the outside world than at Yale. "It's going to be an educational
experience, and I expect a lot of richness to result when things
come together."
Creating a unified setting
for a diversified constituency posed a special challenge for the
architect, because in order to meet the needs of Orthodox Jews,
the entire building had to be kosher. This, Roth soon discovered,
entailed far more than just providing a kitchen and dining area
that would pass muster with Rabbi Michael Whitman, the local arbiter
of religious laws known collectively as kasrut.
In a proper eating place,
for example, there had to be two separate kitchens: one for preparing
foods made with dairy products, and one for meat dishes. And, of
course, there had to be two separate sets of dishes and silverware.
Then there was the Orthodox
synagogue. The shul, which is housed in a room called the Beit Midrash,
not only had to be dividable -- Orthodox men and women are not allowed
to pray together -- it also had to face due east. Unfortunately,
Roth learned, the grid on which the New Haven street plan is based
proved to be "slightly off the north-south axis." This
meant that the synagogue would, strictly speaking, be slightly off
as well. To ensure that it would conform to the dictates of the
religious compass, the architect equipped the shul with a curved
window, some part of which points precisely in the proper direction.
The architect faced
another unexpected challenge in crafting a sukkah, the outdoor structure
in which Jews pray and eat during the fall harvest festival of Succoth.
Generally, sukkahs are ephemeral structures and come down once the
celebration is over, but Center officials decided to make a permanent
sukkah part of the brick courtyard at the back of the building.
The decision got Roth into some treacherous theological waters.
"The essence of
the sukkah -- the word means 'thatched hut' -- is the roof,"
says Rabbi Ponet, "and a truly kosher roof has to shade out
51 percent of the sky but be open enough so that you can discern
stars. Also, while it can't be made from things that are living,
like trees or vines, everything that goes into it has to have been
alive at one point."
That
requirement forced a change in plans.
"Jewish law didn't allow us to use laminated beams," says
the architect, who ultimately used solid redwood. And there were,
it turned out, easier things to find than the three, 24-foot-long,12x12s
that now support the sukkah's roof.
"It's been a really
fascinating project," Roth says. "There are lots of things
in this building that are unique." One of the most striking
is the color of the wood ceilings in the Sylvia Slifka Chapel, in
Rabbi Ponet's office (which includes a working fireplace with a
Jerusalem stone mantle), and in other rooms. The rabbi, citing if
not scripture then at least Jewish history, has dubbed the color
"Vilna vermillion," a reddish hue that is identical, says
Ponet, to that used by publishers in the city of Vilna (now Vilnius)
in Lithuania. "This was the intellectual and publishing headquarters
of Eastern European Jews," he says, "and this red was
their signature color. Harold Roth,
whose name means 'red' in German, incidentally, clearly had this
in mind when he chose the color." (The architect says that
he simply liked vermillion.)
For a building on such
a cramped site, the Slifka Center is surprisingly open and airy.
There are no corridors; all rooms open off central, courtyard-like
spaces, which, says the architect, can be used for both formal meetings
and informal gatherings. Much of the eastern wall by the staircases
is made from glass block, which provides a measure of privacy without
blocking out the sun.
Roth explains such gestures
by saying he was striving for a feeling of inclusion rather than
separation. "My intention is that the Slifka Center should
be a Yale place, as well as a Jewish place," he says, citing
as another example the turret enclosing a circular staircase leading
up from the Center's library to what will be a video archive. His
hope was to evoke the Collegiate Gothic creations of James Gamble
Rogers elsewhere on the campus; the rough, sand-molded, Virginia
red brick of the outside walls was intended to "talk"
to Silliman College and the other buildings on Wall Street. David
Kurtzer '97, a philosophy major and a coordinator of Hillel, is
quick to endorse the architect's efforts to set up a symbolic dialogue
with communities beyond the Jewish one. "Everybody's welcome
here," says Kurtzer. "This is not a Jewish residential
college, and it's not a replacement for campus life in a diverse
community." Dan Oren spoke for many at the dedication in suggesting
that the Center would serve as a cultural and spiritual bridge.
"It can bring people from so many backgrounds together,"
said Oren, "and equally important, it reflects the arrival
of not just a people or a culture, but of a faith."
Oren
traces the beginning of that process in earnest largely to the efforts
of Kingman Brewster,
Yale's President from 1963 to 1977, and his dean of admissions,
R. Inslee "Inky" Clark. Brewster said repeatedly that
he wanted to extend Yale's reach beyond the traditional constituencies
and make it more of a meritocracy; he charged Clark with recruiting
the best students, regardless of background, for the College.
Clark quickly succeeded -- too well, according to some disgruntled alumni, whose sentiments
were summed up in a letter to this magazine in 1974. The correspondent
wrote to express his shock that the admissions office had "turned
down scores of sons of Yale men who richly deserved to succeed their
fathers and scoured the ghettos of New York and elsewhere to recruit
freshmen." The College, he declared, had become a "Jewish
haven. The place we knew and loved has been wrecked."
Similar sentiments,
of course, have been voiced about the arrival of women, blacks,
Hispanics, Asian-Americans, Catholics, the Irish, Native Americans,
scholarship students-just about any minority group who, in "joining
the club," seemed to threaten the dominance of those in the
majority. That fact informed many of the remarks made at the ceremonies
dedicating the new building. "The Slifka Center is not a way
of separating people," said author Calvin Trillin '57, who
served as master of ceremonies. "It's great that when Jews
come to Yale, this is here for them, but our overriding concern
is that it be accessible to everyone." Drawing on his background
as both a humorist and a writer on food
(Alice, Let's Eat and American Fried), Trillin
conjured up a gustatory scenario that would fulfill the Center's
mission -- and take full advantage of its first-class kitchen. "I'd
like to see an annual latkes-and-greens cook-off," said Trillin,
but added that the Hillel team would have to cook the greens, while
a culinary team of non-Jews handled making the potato pancakes.
To the objection that greens are often boiled with a hamhock, which
is not exactly kosher, Trillin replied: "I'm sure we could
work something out."
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