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New
Haven freelancer Jennifer Kaylin is a frequent contributor to the
Yale Alumni Magazine.
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Fixing
Up the Neighborhood
Like
most New England cities, New Haven has suffered for decades from
the loss of its manufacturing base.The familiar ills of modern urban
America have compounded that loss, but now the University is joining
the city and the state in some ambitious attempts to restore the
Elm City to its former self.
November
1993
by Jennifer Kaylin
In 1934,
when Harry Isaacs opened Barrie
Ltd. Booters on York Street, he acquired some pretty spiffy
neighbors, including half a dozen of the country's most fashionable
men's clothiers.
His
shop was sandwiched between J.
Press on one side and Fenn-Feinstein's on the other. At the
corner was the massive Langrock's, which later became Rosenberg's,
while across the street, Broadway was sprinkled with still more
shops catering to the upscale needs of Yale swells. On any given
day, New Haven's version of Savile Row was aswarm with well-heeled
shoppers buying all manner of men's wear, from blue blazers and
Oxford shirts to McKenzie bow ties and V-neck sweaters.
Today,
Barrie's and J. Press are holding their own on York Street,
but Fenn-Feinstein's is long gone, replaced by a Wawa's convenience
store. The three-story Tudor edifice that once housed Rosenberg's
has been vacant for nearly five years, and several other stores
in the area now stand empty, abandoned by customers who prefer to
do business at suburban malls that offer ample parking and no panhandlers.
After
years of neglect and hand-wringing over why its major commercial
thoroughfare can't be more like Harvard Square in Cambridge or Nassau
Street in Princeton, Yale-the district's principal landlord-is finally
taking action to turn the area around. Joining forces with city
and state officials, the University has launched an ambitious revitalization
plan designed to stem Broadway's decline and restore the sense of
vitality and prosperity that characterized it during its heyday.
The $6-million Broadway District Project, which makes use of $4
million in federal highway funds and $2 million from Yale, is now
under way and is expected to be completed in the fall of 1994. The
Broadway project is only one of several that Yale is undertaking
in collaboration with its host city.
But
because the district abuts the campus and serves as the primary
shopping area for students, it is the project that should most directly
benefit the University. And with undergraduate applications down
5 percent last year and faculty recruitment becoming a growing challenge,
the consensus is that such an initiative doesn't come a moment too
soon.
It's
absolutely long overdue, says Harry Berkowitz, president of the
Yale Co-op Corp., which is located on Broadway. "If
image, ambience, and comfort level go into making the decision about
what college or university to attend, then I'm not sure that the
Broadway-York Street area is really helping Yale or New Haven to
put its best foot forward." Berkowitz calls the Broadway renovation
project one of the most significant initiatives the University and
the city have undertaken in quite some time, adding that he's planning
a major upgrade of the Co-op to coincide with it.
The
other major initiative that Yale is currently backing is the Ninth
Square project, which will include a $130.6-million housing and
retail complex intended to revitalize the blighted downtown area
bounded by Chapel, Church, George, and State streets.
The
plan, which calls for Yale to provide $10 million of financing,
was all but dead in 1991 when Governor Lowell P. Weicker Jr. '53
refused to approve the necessary state bonds. But it was later resurrected
when then-President Benno C. Schmidt teamed up with New Haven mayor
John Daniels to fine-tune the proposal and sell Weicker on it. "It's
in our enlightened self-interest to be part of a vibrant, attractive
urban setting," says David Swensen, Yale's chief investment
officer. "To the extent that the Ninth Square can make the
fabric of New Haven more desirable for everyone, then it's the sort
of project we feel we should be supporting."
In addition
to the Broadway and Ninth Square projects, Yale
has committed money to low income housing projects, restructuring
the debt of the Chapel Square Mall, and helping high technology
companies establish themselves and expand in Connecticut. Not the
least of the efforts to revitalize Yale's neighborhood is the addition
of pedestrian walkways at the heart of the campus. The new walks
are the result of an agreement struck with the city in 1990 in which
Yale paid New Haven $1.1 million to close portions of High and Wall
streets where they pass through the campus. Acting with city approval,
Yale has developed a two-phase plan to upgrade the streets with
new lighting, trees, and paving. The first phase, which involves
Wall Street between College and High, and High between Elm and Wall,
is now complete. The focal point of the High Street portion (known
as Rose Walk in honor of its principal financial supporters, Daniel
Rose '51, Elihu Rose '54E, and Frederick P. Rose '44E) is the "Women's
Table," a monument honoring Yale's female students and designed
by Maya Lin '81, '86MArch, the creator of the Vietnam Veterans memorial
in Washington.
But it
is the promise of a Broadway transformation that has the Yale community
most intrigued. And
judging from the empty buildings, shabby storefronts, and the snarl
of traffic that now chokes the district, nothing short of a total
facelift is in order.
In the
mid-1800s, Broadway boasted five grocers, two shoemakers, two blacksmiths,
a tailor, a coachmaker, and a boarding house. The street and the
area just behind the storefronts, known as York Square, were studded
with homes built by New Haven's wealthiest residents. But over the
course of the next 50 years, immigration swelled New Haven's population
and those affluent families moved elsewhere, allowing Broadway to
come into its own as a thriving commercial enclave that included
food stores, auto dealers, billiard parlors, tailors, and hat stores.
Most of the buildings that now line the street are 20th-century
structures, owing in part to a fire in 1943 that destroyed many
of the older buildings near the corner of Broadway and York Street.
Reflecting today's changed appetites, the most familiar landmarks
now include Cutler's Records & Tapes, the Yankee
Doodle eatery, and the York
Square Cinemas.
The
current Broadway renovation project is an effort to recapture something
of the flavor of the district's past while creating a modern urban
space to serve the needs of today's shoppers. To that end, the planners
intend to rearrange the traffic pattern, provide parking, to be
concealed with rows of new trees (a blight-resistant variety of
New Haven's vanished elms), upgrade the lighting and "street
furniture" with decorative fixtures reminiscent of the turn
of the century, and bury the web of utility wires that now dangle
over the intersections.
"We're
taking a long-range view,
building on the area's existing strengths, such as the diversity
of architectural designs, to recreate its history as a vital merchandising
center," says Donna Dean, Yale's associate director of investments
and one of the project's chief planners. Noting that many of the
merchants in the area have been there for generations, she stresses
that the plan includes encouraging them to stay. "Real New
Haven businesses add to the flavor of the area and help avoid that
cookie-cutter feeling of some shopping districts," she says.
Over
the course of the past year, Dean visited most of the colleges and
universities in the Northeast to determine what ingredients go into
creating a successful retail complex used primarily by students.
"We incorporated bits from here and there," she says,
such as brick crosswalks and a "market island" similar
to the kiosk at the center of Harvard Square.
"Broadway
has all the elements of a wonderful urban space; the
problem is that over the years, it's been made usable and friendly
to the commuting driver rather than the pedestrian," says New
Haven architect Herbert Newman '59MArch, whose firm is responsible
for developing the renovation plan. In his view, the old Broadway
layout that his plan will replace was the result of paying too much
attention to utilitarian needs. "Fundamental patterns of human
behavior too often get ignored in urban design," he says.
Newman
-- who has been working with Yale since the mid-1970s on the Old
Campus, the School of Organization and Management, the indoor tennis
facility, and the golf course club house -- believes that narrowing
the Broadway roadbed, widening the sidewalks, and installing a place
where people can gather, read the newspaper, and have a cup of coffee
will go a long way toward satisfying shoppers'-and students'-aesthetic
and emotional needs.
The
project doesn't attempt to upgrade the surrounding housing stock,
nor does it directly tackle such deeper urban problems as the continuing
presence of the homeless. However, Newman, a critic in architectural
design at the School of Architecture, says he's satisfied with the
size and scope of the plan. "I feel very comfortable that the
project will have enough resources to make a transformation possible,"
he says. "The sum will be greater than the parts, resulting
in a complete metamorphosis of the neighborhood."
"It's
a well-chosen, modest project,"
says Douglas Rae, the Richard Ely Professor of Public Management
at the School of Organization and Management and a former New Haven
chief administrative officer. "But you have to keep in mind
that they're working within certain profound limits. Broadway is
up against one of the most distressed neighborhoods in New England,
and Yale can't be expected to alleviate the dynamic of poverty in
New Haven. It's a national problem."
But
there are others who say the Broadway project is merely cosmetic
and that ignoring the fundamental problems which caused the area's
decline in the first place could doom it to failure. One such critic
is Fred Kent, president of the Project for Public Spaces, an international
nonprofit organization dedicated to improving public areas. Kent,
who spent two days in New Haven consulting with Broadway planners,
recalls that during his first visit, three preadolescent boys pulled
a gun on him and demanded his money. "This is the type of thing
that gives a clue to how unsettling this area is," he says.
Another major challenge, according to Kent, is the fact that the
traffic is "way out of scale" with the activity for which
the area is used. He fears that project planners have taken an aesthetic
approach to the neighborhood, when they should be using more of
a "use-functional" approach. "It's too much of a
design plan," he says. "I'm worried that they're not emphasizing
a more comprehensive approach. You need to gradually grow an urban
space, not design a finished one."
Joel
Schiavone '58, a New Haven developer who presided over the renovation
of the nearby downtown entertainment district during the early 1980s,
agrees with Kent that Broadway is a "scary area" that
requires tough policing if it's going to change. But he also says
that after the district is spruced-up, Yale must be willing to manage
it on an ongoing basis, through marketing and other coordinated
programs. "If we didn't manage our area, it would have gone
down the drain years ago," he says of his own Chapel Street
properties. "I'd say that fixing an area up is only 5 to 10
percent of it, and I question whether Yale is prepared to go that
next step."
However,
for area merchants who have watched the neighborhood slowly decay,
any effort to turn things around is welcome. "I
think the beautification will make people return to the area,"
says Isaacs. "It's great that they're doing what they're doing,"
adds Robert Muller, owner of Merwin's Art Shop on York Street. Both
merchants say that Yale and city officials have been conscientious
about keeping store owners informed about all the plans and have
been willing to incorporate their suggestions and ideas.
It is
perhaps because Yale has worked closely with the community in the
past that it has learned the importance of diplomacy and consensus
building. In the early 1980s, Yale played a financial role in several
projects, including the conversion of the Taft Hotel into market-rate
apartments, the construction of the Whitney-Grove office complex,
the establishment of Science Park (a high-tech business incubator),
and the renovation of the Chapel Square Mall. In 1987, Yale's development
policy regarding New Haven became more formalized with what was
called the New Haven Initiative, a public commitment to invest $50
million in the New Haven community over a ten-year period. In announcing
it, then-President Schmidt declared that, "The future of New
Haven and the future of Yale University are inextricably joined."
While
such sentiments clearly offer potential benefits to the city, as
well as Yale, there are those who say that bricks and mortar are
not enough. They
believe that in addition to money, Yale should be providing leadership,
expertise, and a vision for the future. One such effort is the Urban
Advisory Committee, an ad hoc committee of the Yale Corporation
charged with recommending solutions to the social and economic problems
that plague New Haven. However, according to Susan Godshall, assistant
secretary of the University, the panel has only met twice since
September 1992, and its fate is likely to be reviewed now that Yale
has a new President and a new secretary. A similar state of limbo
exists for an informal plan to assist the blighted Dwight-Edgewood
neighborhood, which houses many graduate students.
Matthew
Nemerson '81MPPM, president of the Greater
New Haven Chamber of Commerce, criticizes the University for
being too "project oriented." He would like to see it
develop a long-range vision for the city that would transcend the
whims of particular administrations and provide needed continuity.
He also recommends that Yale officials conduct a major study to
determine where graduate students, faculty, and staff employees
live. "If there are major trends that are disturbing, then
they should enact policies to change them," he says. Lastly,
he believes the influence of Yale's powerful alumni, many of whom
live in the suburbs of New Haven, should be marshaled to lobby on
behalf of the city.
Such
analysis has already begun. As
an example, Godshall points to a recent study conducted by her office
of Yale's economic impact on New Haven. It found that Yale students,
faculty, and staff spent a total of $131.7 million in New Haven
in 1988-89; that Yale overnight visitors to the city spent more
than $21.8 million; and that $1.65 million was spent by Yale in
1988-89 on crime fighting in New Haven, an amount that would otherwise
have been borne by taxpayers.
Looking
down the road, Professor Rae recommends that in addition to what's
already been done, Yale offer a mortgage program to encourage faculty
and staff to invest in city homes. He also suggests that the University
be an aggressive equal-opportunity employer, hiring city blacks
and Hispanics whenever possible.
But
while these recommendations may be a comfort to some city residents,
the merchants on Broadway are more concerned about what they see
when they peer out of their display windows. And by most accounts
they are heartened. Isaacs says that as a result of the renovation
project, merchants are working together as never before. He recalls
a weekend in early summer when they sponsored a sidewalk festival
to coincide with a convention of financial planners. "I was
amazed by the number of people who came into my store and said that
New Haven was a nice city and that they really liked it here. That
hasn't happened in years."
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