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The Yale Alumni Magazine is owned and operated by Yale Alumni Publications, Inc., a nonprofit corporation independent of Yale University. The content of the magazine and its website is the responsibility of the editors and does not necessarily reflect the views of Yale or its officers. |
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Through
2004 Metropolitan
Museum of Art Hours: Tuesday through Thursday 9:30 a.m.-5:30 p.m.; Friday and Saturday 9:30 a.m.-9 p.m.; Sunday 9:30 a.m.-5:30 p.m. The most comprehensive selection in the world of Florentine and Sienese paintings of the fourteenth and fifteenth centuries (except, perhaps, in Florence and Siena) is on view right now at the Metropolitan Museum of Art in New York City, thanks in large part to a loan from the Yale University Art Gallery. The Art Gallery has sent 40 early Italian Renaissance paintings to the Met while the Gallery's Kahn building is closed for renovations. Artists represented in the exhibition include Guido da Siena, Ambrogio Lorenzetti, Neroccio, and Orcagna, among others. The loan was organized by Laurence Kanter, who is the curator of the Met's Robert Lehman Collection as well as the Lionel Goldfrank III Curator of Early European Art at the Yale Art Gallery. Robert Lehman, a Yale alumnus (Class of 1913), was one of the premier collectors of European art in the twentieth century. "Exchanges on this scale are unusual-- actually they are quite rare," says Kanter, who acknowledges that his association with both museums helped to bring about this arrangement. "It was a response to an opportunity-- the closing of the Kahn building-- and a new collaboration between Yale and the Met, of which my own appointment is an aspect." This cooperation has brought about a once-in-a-lifetime chance to view selections from two outstanding collections of Italian Renaissance paintings side by side. "The Met is indeed the premier venue for art in America," Kanter adds, "but Yale's holdings in three areas-- early Italian painting, American art, and twentieth-century painting -- rival the Met's. The opportunity of seeing them together is unique and delightful."
Through
November 23, 2003 Peabody
Museum of Natural History at Yale Hours: Monday through Saturday 10 a.m.-5 p.m.; Sunday 12-5 p.m. It's been called the "terror of the Cambrian seas." More than half a billion years ago Anomalocaris swam the waters of the earth, searching for prey with its large, bugged-out eyes. Measuring more than two feet in length, it snagged its victims with long, shrimp-like claws, and pulled them toward a circular mouth that opened to reveal hundreds of sharp teeth. Nothing like it exists today. A life-size model of Anomalocaris does exist, however, at the Peabody Museum. That is, at least, until an exhibit on fossils of the Burgess Shale closes on November 23. Burgess Shale: Evolution's Big Bang explores a period roughly 505 million years ago when a vast diversity of organisms exploded all at once onto the evolutionary scene. It was the first appearance on earth of most multicellular organisms-- some of which, like Anomalocaris, have no known descendants. The exhibition features fossils from the famed Burgess Shale site, along with some original fossils from the Peabody's collections and a reconstruction of life at Burgess Shale, as well as a couple of life-size models. The Burgess Shale is located in eastern British Columbia, about 130 miles from Calgary, Alberta. Today, the area is rugged and mountainous, but when Anomalocaris existed, the site was on a muddy seabed near the edge of a towering reef. Mudslides buried the creatures, and layers of sediment preserved their bodies. But over time, as the earth experienced massive geologic changes, the fossils were brought to the surface, where they were discovered in 1909 by Charles Walcott of the Smithsonian Institution. He collected more than 65,000 specimens at the site. In the 1970s, Dr. Harry Whittington of Cambridge University engaged in a restudy of Walcott's fossils, assisted by two graduate students. One of the students, Derek Briggs, recently became curator of invertebrate paleontology at the Peabody. Briggs calls it a "happy coincidence" that the Smithsonian's exhibition is making a stop in New Haven so soon after he arrived at the museum. But Briggs's association with the Burgess Shale is more than peripheral. It was Briggs, in fact, who helped piece together what Anomalocaris actually looked like, after nearly a century of misinterpretation. In the 1880s a researcher had found just the shrimp-like claws of the creature and named it Anomalocaris (meaning "odd shrimp"). Some 40 years later another scientist found only its round mouth and thought it was a kind of jellyfish. But with much study of Walcott's and other specimens, Briggs was able to determine that these were actually parts of the same animal. The
self-effacing paleontologist is quick to point out the greater
significance of the Burgess Shale find as a whole. "Until
recently, Burgess Shale was the only locality in which one
found early multicellular organisms so well preserved,"
says Briggs. Now there are sites around the world. But of
the 120 different types of animals found at Burgess Shale,
Briggs adds, "only 16 percent had hard shells; the
rest were completely soft-bodied and not normally fossilized.
Burgess Shale provided a lot of information on what these
creatures really looked like, and helped form the first
complete picture of the early evolution of multicellular
organisms." |
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