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Inside the Blue Book
May 2003
Madness
at the Movies
by
Jennifer L. Holley
PSYC 404b/FILM 343b
Psychopathology in Film
Faculty:
James Charney, Lecturer
"Movies
are the lingua franca of today -- and a vivid way of learning."
So says James Charney, a psychiatrist and film buff who is teaching
a senior seminar called "Psychopathology in Film," in which films
are used as if they were case studies. Many students in the class
have already taken abnormal psychology, but what Charney notes is
different about his class is that the students aren't just learning
symptoms. They're learning (via the film) what it feels like
to be severely mentally ill.
The movies are shown
in a theater-like setting: at night, on screens, with groups of
people watching. The students are told to look out for cinematic
techniques or character behaviors that suggest a diagnosis. But
note-taking during the movies is forbidden. Charney wants them first
to have the experience of watching the film as part of an audience.
Discussion takes place during the seminar the next day, while the
film is still fresh in the students' minds.
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Students
watch Psycho to observe dissociative personality
disorder.
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In order to help students
hone their ability to observe certain aspects of psychopathology,
Charney shows in-class clips of other movies that enhance an understanding
of the behavior exhibited in the featured film. For example, after
the students watch Psycho in its entirety, they see clips
of Dead of Night, The Three Faces of Eve, and Primal Fear,
all of which illustrate the dissociative personality disorder.
The
films themselves are the "readings" for the course. They
offer the clinical material for the class to do a "mental status
exam" on the leading character. The course begins with the most
serious forms of mental illness, such as schizophrenia, and progresses
toward more familiar illnesses. This mirrors the way psychiatry
is taught to doctors. "It's easier to learn if everything is writ
large," says Charney. "As you become more comfortable with observing
'madness,' you can start noting the more subtle indicators of anxiety,
depression, or the wonderfully neurotic behavior in Woody Allen
movies."
The class, Charney
believes, can offer valuable life lessons for any student -- regardless
of whether he or she is a psychology or film major. About half the
class hails from other departments. "I was an English major, but
I like to think that made me a better doctor," he says. "What we're
doing here is learning about human nature." 
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