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February 2003 University Art Gallery
1111 Chapel Street, (203) 432-0600
yale.edu/artgallery Hours: Tuesday–Saturday, 10 a.m.–5 p.m. (Thursday until 8 p.m.); Sunday, 1–6 p.m. Through June 8
Masters of American Watercolor: Homer to Hopper A display of 26 paintings representing the work of American watercolor masters such as Winslow Homer, Thomas Eakins, Georgia O'Keeffe, Edward Hopper, and others reveals the rich history of watercolor painting in America. Through May 18
Edgar Degas: Defining the Modernist Edge Paintings, etchings, drawings, and bronze and wax sculptures of such modern objects as ballet dancers, bathers, and horse races comprise an exhibition that focuses on the work of Edgar Degas (1834–1917) and considers his influence on the development of the avant-garde in France and abroad. 
Center for
British Art
1080 Chapel Street, (203) 432-2800
yale.edu/ycba Hours: Tuesday–Saturday, 10 a.m.–5 p.m.; Sunday, 1–5 p.m. Through March 30
Romantics and Revolutionaries: Regency Portraits from the National Portrait Gallery, London The period in British history known as the Regency (1790–1830) was marked by lavish, exuberant lifestyles and Romantic poetry and literature. It was also a time during which discovery, invention, rebellion, and war transformed nearly every aspect of life. An exhibition of more than 90 portraits, on loan from London’s National Portrait Gallery, presents some of the best-known heroes and heroines of the Regency age. Among them are William Wordsworth; Lord Byron; Jane Austen; Lady Emma Hamilton and her lover, Admiral Lord Nelson; and the Regent himself, who later became King George IV. Through March 30
The Romantic Print in the Age of Revolutions A display of portrait, subject, and narrative prints, selected from the BAC’s collections to complement Romantics and Revolutionaries, investigates such themes as the cult of the hero in the Romantic period; the relationship between literature and the visual arts; and the depiction of contemporary historical events like the American and French revolutions and the Napoleonic wars. 
Yale Concert
Band
435 College Street, (203) 432-4111
yale.edu/yaleband Friday, February 21, 8 p.m. The Yale Concert Band, composed of 70 brass, woodwind, and percussion instrumentalists, is known for its performances of unusual music in a variety of settings. Led by director Thomas Duffy, the Concert Band appears in a free concert at Woolsey Hall, with a program to include Pictures at an Exhibition (Modeste Mussorgksy, trans. Erik Leidzen) and the world premiere of Concerto for Piano and Winds by Daniel Godfrey. 
Yale
School of Music/Yale Opera
435 College Street, (203) 432-4158
yale.edu/music February 14–15, 8 p.m.; February 16, 2 p.m.
The Marriage of Figaro This classic tale of mistaken identities, disguises, deceptions, and blunders provides the backdrop of confusion and comedy for Mozart’s musical genius. Yale Opera’s major production of the year brings The Marriage of Figaro to the Shubert Performing Arts Center. 
Peabody Museum
of Natural History
170 Whitney Avenue, (203) 432-5050
yale.edu/peabody Hours: Monday–Saturday, 10 a.m.–5 p.m.; Sunday, 12–5 p.m. Through May 4
Machu Picchu: Unveiling the Mystery of the Incas When Hiram Bingham, Class of 1898, led the Yale Peruvian Scientific Expedition to Machu Picchu in 1911, he uncovered one of the most spectacular archaeological sites in the world. With artifacts and photographs, the Museum has constructed an image of life in the Machu Picchu of 500 years ago. 
Yale Repertory
Theatre
Chapel and York Streets, (203) 432-1234
yalerep.org February 14 through March 8
The Psychic Life of Savages by Amy Freed, directed by James Bundy Four poets struggle with the forces that drive them to their art in this satire inspired by the lives and writings of Sylvia Plath, Ted Hughes, Robert Lowell,
and Anne Sexton. 
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