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Previous
Columns
November
2001 A philosophical look at death.
Summer
2001 Exploring "girl power."
May
2001 Learning the ins and outs of
e-commerce.
April
2001 Delving into depression.
February
2001 A Tercentennial team explores the nature of democracy.
December
2000 Geologists study old shells to learn the art of observation.
November
2000 "Dr. Curveball" teaches the physics of
the national game.
October
2000 A writer teaches the art of creating a sense of place.
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Inside the Blue Book
Deep
Space 101
December
2001
by Jennifer L. Holley
ENAS
111A
Science Fiction and Science Fact
Faculty: Mark Reed, Harold Hodgkinson Professor of Engineering
Science
fiction certainly takes a lot of poetic license. The first ten minutes
of Star Wars, for example, include both sounds and light
pulses in space (both impossible). But for all the fiction, professor
Mark Reed still finds plenty of facts. He uses the medium as a jumping-off
point for his course, "Science Fiction and Science Fact."
Students look at examples of the genre and then dig into the science
behind them.
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"This
is a course for everybody -- and the first of its kind."
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The
course is Reed's second attempt at teaching science to non-science
majors, following "Electronic Society," which he taught
after coming to Yale from Texas Instruments in 1990. "I tried
to transmit my excitement to the students," Reed says, "but
I felt I was missing a connection."
Now
in the packed Davies Auditorium, where Reed entertains constant
questions, it seems he's made that connection. "This is a course
for everybody," says Reed. He believes the course, which looks
at science fiction products from a scientific perspective, is the
first of its kind. The novels on the reading list span the genre,
from Flatland (in which author Edwin Abbott reacts to Victorian
society by writing about a two-dimensional world) to the contemporary
offering The Forever War, by Joe Haldeman, who recently visited
class as a surprise guest lecturer.
The
students' final project gives them a chance to put what they've
learned from the masters into practice. They write their own science
fiction short stories; furthermore, they explain in detail the science
they use in their stories. Last year, Reed gave awards to several
standouts. A story about the physics of Santa Claus won for "best
timeliness" (the story was due in December). And for "best
humor," the award went to a Survivor-inspired story
that takes place on Mars.
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